The Solana Graveyard Hackathon brought together builders from across the ecosystem to experiment with new ideas, ship fast, and push the boundaries of what can be built on Solana.

For the Audius and Open Audio Protocol track, the response from developers was incredible. Over the course of the hackathon, 37 teams submitted projects exploring everything from listening parties and remix collaboration to music discovery engines, funding platforms, and creator monetization tools.

Choosing winners was not easy. The quality and creativity of submissions showed just how much potential there is when developers build on an open music ecosystem.

Below is a roundup of the winners and honorable mentions from the Audius track.

 takes the idea of a listening party and elevates it into a fully interactive experience.

Shared music playback powered by the Audius catalog

The result is a sleek environment where communities can gather, listen, and react together in real time.

 connects the world of music with online gaming by enabling live concerts inside Roblox powered by Audius and Open Audio.

This project shows the potential for music distribution to expand into interactive environments where fans can experience performances inside virtual worlds.

🎟 Special Prize — Best Music x Ticketing

 and Audius recognized the best project combining music and ticketing.

 and team, AfterShow reimagines the value of concert tickets after the event is over.

Instead of a ticket being a disposable artifact, AfterShow turns it into a persistent digital collectible and access pass, unlocking experiences even after the show ends.

The project demonstrates how blockchain and open music infrastructure can transform ticketing into an ongoing relationship between artists and fans.

https://www.youtube.com/watch?v=gsgo4GTchn4

While only two projects could take the top prizes, many more teams built impressive tools and experiments during the hackathon. Each of the following projects received 500 $AUDIO in recognition of their work.

 - A discovery tool that scans the Audius catalog for early music alpha, helping listeners find tracks before they break.

 - A music scanner combined with a party room experience and artist coins, blending discovery and social listening.

 - A collaboration platform designed to help artists find remix partners on Audius.

 - A discovery engine for surfacing hidden gems in the catalog before they go mainstream.

 - A fan-backed music investment platform built on Solana where listeners can support artists financially.

, cka_tech, and Aslimeow - A zero-UI voice monetization layer designed to give Audius artists new ways to engage and monetize their audiences.

 - A music funding platform where artists can propose projects, fans invest, and revenue is shared in real time.

 - A creator-first blockchain ecosystem supporting music, video, art, and fan engagement.

 - A Discord bot that automatically posts a new song from the Audius catalog to your community every day.

 - An onchain social graph that rewards engagement while helping users discover trending tracks.

What stood out across the submissions was the diversity of ideas developers explored on top of the Open Audio ecosystem:

This range shows the power of an open music catalog and programmable music infrastructure. When the underlying data and media are accessible, developers can experiment freely and build entirely new music experiences.

And judging by the submissions from this hackathon, builders are just getting started.

Graveyard Hackathon Recap: The Audius & Open Audio Track

https://openaudio.substack.com/p/programmable-music-for-agents-and 

You can now build any music experience you want.

 and build me a music streaming app that looks like Spotify, but streams from the Open Audio Protocol.

Instant and autonomous software, fueled by the “Cambrian Explosion” of coding agents in 2026, sets the stage for an increased utilization of open and block-chain native protocols. The Open Audio Protocol is the largest open and programmable music catalog in existence and is built for this moment: powering vibecoded applications and agent-native music economies.

In recent months, we’ve gone from “AI assistants” to autonomous systems that can launch complete products, run communities, curate feeds, execute transactions, and collaborate with humans in real time. Agents can now author code, write music, and coordinate capital. And what once required full teams with venture funding to launch startups in music now takes no more than impassioned individuals with great ideas.

Through this chapter, one thing is clear: 

 They need primitives to build on and interfaces to interact with each other and with humans.

If 2026 is the year agents become ubiquitous, it’s also the year we must decide what cultural primitives they are allowed to build with. Music is one of the most powerful datasets on earth. It shapes identity, movements, communities, and economies. But historically, music catalogs have been locked inside platforms: read-only, rate-limited, monetized through opaque policies, and designed primarily for mass-appeal UI.

That model does not adapt to the flexibility of the vibecoder era.

Platforms like Spotify won by building the best consumer experience. They made music instant and searchable. The infrastructure behind the scenes was powerful, but invisible. It existed to serve a single purpose: deliver a seamless listening interface for humans.

That model made sense when distribution was scarce and such interfaces were expensive to build. But we are no longer in that world.

Content creation is now exponential. Tools like 

, and modern DAWs can help create music at near-zero marginal cost. Interface creation is also instant. Agentic IDEs like 

 can scaffold, ship, and iterate on full products in hours. When both content and interfaces become cheap, the bottleneck shifts. The one-size-fits-all streaming platform stops being the center of gravity and what matters is not the app, but the dataset beneath it. In 2026, you can be in charge of your own music listening experience because you now have the tools to do so.

In a world of infinite music and infinite interfaces, durable leverage lives in the protocol: who can access the catalog, how rights are expressed, how value flows, and how systems compose.

The shift is not just from a Web 2.0 to a Web 3.0, but from a UI-first to an agent-first way of managing information. This requires a fundamentally different technology: a catalog that isn’t just consumable, but programmable by its design. A catalog where rights are encoded, access is deterministic, and commerce is composable. Agents require publicly verifiable data and authentic sources, not walled gardens that 

The Open Audio Protocol is the largest open, programmable music catalog in existence.

In a world where agents can churn out millions of niche music experiences for human and computer consumers, the backend that succeeds must be permissionless and community governed. Centralized APIs only introduce gatekeeping, monetization choke points, and arbitrary revocation whereas open protocols allow anyone to build, experiment, fork, remix, extend. And by being blockchain-native, governed by $AUDIO, ownership is transparent, payments are programmable, and smart contracts bind interactions to common rules.

The Open Audio Protocol provides novel consumption experiences that are simply not possible with traditional streaming infrastructure that is single-purpose by design.

 clone (an incredible feat that famously took 2 years of raw 

), spinning up a custom music interface is no longer a significant undertaking. As individuals consume a unique portfolio of music, the interfaces will follow suit.

One app might be an autonomous ambient radio station for late-night coders. Another might be a token-gated hyperpop fan club with dynamic remix rights. Another might be a genre agent that rewires itself based on your onchain identity.

None of these experiences need to replace each other. They will coexist and all need to draw from the same programmable catalog. The vibecoded future will not be owned by a single app, but instead be composed by thousands of builders and agents experimenting at the edges.

Music is the first great cultural dataset to become programmable at global scale and The Open Audio Protocol is that substrate. If you can imagine a music experience, you can now build it. The only constraint is the catalog you build on.

Programmable Music for Agents and Vibecoders

Audius now supports native NFT displays on your profile under the 

To better understand the requirements necessary to display your NFTs please review the following: 

What is needed to display my NFTs in my profile under the collectibles tab? 

Please watch the video below on how to connect your Phantom wallet.

You can also take the following steps to connect your Phantom wallet:

Click on the button with the three dots in the top left corner 

This will prompt a signature confirmation from Phantom

Please note this may take up to 15 seconds 

How to connect MetaMask (typed guide only)

This will prompt a signature confirmation from MetaMask

What is needed to display collectibles in your Audius profile?

In order to display both your Ethereum and Solana collectibles you need a few things:

Silver status is reached by holding at least 100 $AUDIO in your Audius wallet

$AUDIO is the native token for the Audius platform. Currently, Audius is built on both Ethereum and Solana with core functions still acting on the Ethereum network - for this reason $AUDIO is an ERC-20 token. You can learn more 

Silver status on Audius unlocks several new features including the ability to use the collectibles tab. You can learn about how to get Silver status 

Audius NFTs and Wallets (FAQ)

What is needed to display my NFTs in my profile under the collectibles tab?

How to connect your Phantom wallet

‍How to connect MetaMask (typed guide only)

‍What is needed to display collectibles in your Audius profile?

‍What is $AUDIO?

‍What is Silver tier?

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Graveyard Hackathon Recap: The Audius & Open Audio Track

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